Deborah Kuhl

singer - piano player- songwriter

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photo by r. carlson- www.foto-op.com
It all started when I moved back from France and decided that I could share my favorite French song list with Americans who hadn’t had my luck of being exposed to French oldies and newbies for 20 years.
 My song list covers material from the 1930s to this century with a preference for international successes such as Autumn Leaves, My Way, Qui Sait (Qui Sas), Dream a Little Dream of Me, If You Go Away and Lili Marlene, all of which were huge hits in France; most were authored by French composers.  My repertoire includes a good number of burning hot torch songs such as “Si j’etais une cigarette—If I Were A Cigarette” featured on my home page.   

Composing original music
is still my main passion.  I’ve written and performed over 20 songs in the past few years.  Although it’s hard to get away from the generic “girl with piano” sound—I’m tend to remind people of Tori Amos—I try to mix up styles so you might hear a jazzier sound in some songs, a folksy/country sound in another.  My lyrics are often based on my life experience but I have also drawn from current events as in “My Boy Home” or “Black and White World.”  The song “Like Delilah” celebrates the well-known women in classical literature—I have to make use of my degree in Latin. 
I am enjoying the open mic scene at Armando’s in Martinez and enjoyed hosting the first open mic night on Oct. 16 at the First Street Café in Benicia 

 If you come to see me on a Sat. night gig in Benicia, most likely you’ll be treated to Aram Boyd’s amazing electric space horn.  Aram's curious instrument and expert playing enchant crowds as much as his abundance of personality.  His "amazing electric space horn" is a synthesized valve instrument, that's to say, a synthesizer--with it’s full range of sounds--that plays like a trumpet.  You’ll be astounded.
I’ve also had the privilege of performing and recording with cellist Pawel Walerowski, now active with the recently signed band “Rupa and the April Fishes.”  Pawel accompanies me on “Black and White World” which is now posted on the Star 101.3 new music program. 





BIO - Short version

Deborah began playing piano by ear at age 3.  Primarily a self-taught musician, she benefited from training in music theory through both piano and classical voice lessons. Her life has taken her from Iowa to the SF Bay Area to Texas to Algeria to France.  Her original music tends to connect those dots, with styles ranging from pop to country, jazz, or even classical. 

Former stints include keyboardist for the new wave era SKA band "Twistyze" in Austin, Texas in the 1980s and in 2003 in Paris, she was member of a female trio that performed original music and covers, usually in three-part harmony. 


The Longer Story

Early beginnings

The first I remember playing the piano was at 3 years old when my sister Susan taught me to play Peter, Peter, Pumpkin Eater with one finger. Somehow I went on to Kindergarten and ran home from school and played every song I learned. By the time I was 12, I finally got formal lessons. These only lasted until I was about 15 when we moved to California and left the piano and teacher behind. (Can you feel the trauma!)

From holy to Bezerkely

In high school I sang at the church choir at All Saints Church in Hayward, CA. On to UC Berkeley where I entertained fellow dormies gathered in the dormitory lounges on late (and probably drunken) weekend nights.


And Purple Hair

It wasn’t until I moved to Austin, Texas, that I finally joined a band—as keyboardist to Byron Scott’s Twistyze in 1982. In the zenith of the New Wave era, the five piece SKA band plastered Byron’s black and white posters on nearly every Austin telephone pole and enjoyed significant local success for a band that performed exclusively original music. My first gig with the Twistyze was at the legendary "Continental Club", a hole in the wall where Stevie Ray Vaughn had gotten his start, but by then was too famous to frequent. The band got steady work in Austin, San Antonio and Houston and most fortunately never did an ‘oh-so-80s’ music video although we did get into the studio to do some demo tapes.  Sadly, Byron passed away on November 16, 2007.  He is sorely missed by all those who worked with him and anyone who witnessed his talents.

Also in Austin I benefited from my first voice lessons. My teachers delighted in the fact that I already spoke German and was learning French. The classical training helped me to review the limited music theory I had covered in my short stint of piano lessons and as far as voice was concerned, I progressed rapidly.

On to Africa

In 1986, I followed my husband-to-be to Algeria where I discovered the local sounds and danced to Rai, Chaoui, Chaabi, and Andalousian music while I watched the greatest Middle Eastern stars from Egypt, Lebanon and Palestine on TV.   I performed a duet in Arabic with my colleague at the US Cultural Center at the US Embassy in Algiers and had my students translate the words in to English. They helped me translate "This Land is Your Land" into Arabic, with appropriate geographical references, of course. When satellite TV came into force in Algiers, I had my first real exposure to popular French music including music from before my day.

My first daughter, Safia, was born in 1991.
 

Out of Africa

I left Algeria for France in 1992 and the family got bigger, with the birth of Linda in 1994 and Mehdi in 1996.   In 1998, I decided to divorce and had a creative surge that produced about 10 songs in 6 months, some of which I consider to be among my best material.  I continued to compose, but had little time to peform while going through several difficult years raising three children on my own.

In 2003 I met two colleages at the US Embassy while participating in a choral group, Becky Bouvier and Neomi Van Horn.  Becky was the expert arranger and could whip out a 3-part harmony in seconds flat, whether she was arranging never-heard-before original music or a 60s classic.  Becky is a great composer in her own right and I thoroughly enjoyed performing her stuff.  Neomi had had more formal musical training than Becky and I, and was essential to keeping us in time.  I wish I could have taken them back to the US with me!

Home Again

In the summer of 2003, thanks to my brother Dave, I met the love of my life, Doug Wendt who lured me back to the Bay Area with no resistance on my part.  He never ceases to amaze me with his ability to adapt to life with three kids and a crazy mom.  My kids say I smile anytime I hear someone say his name.  At home we're spoiled every day by the sound of his classical guitar not to mention his very dry sense of humor.

Before I left France, I decided to work on a French repertoire that I felt would be easier to market than my original music while providing me with an enriching challenge as I arranged and adapted the songs to my vocal and piano playing skills.  The French music also made it easier to connect with the amazing musicians who generously performed with me. So far, it's been great fun!   

 


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